ANA JANEVSKI: These images are from Terrain, a dance made by Yvonne Rainer. It was the first time the Judson group presented an entire evening of just one choreographer. Terrain contained five ...
Photography at MoMA: 1920 to 1960 Edited by Quentin Bajac, Lucy Gallun, Roxana Marcoci, and Sarah Hermanson Meister, 2016 Hardcover, 416 pages If you would like to reproduce an image of a work of art ...
Since the early 20th century, artists have been incorporating such non-traditional forms as dance, music, and their own actions into their art. The artists of the Dada and Futurist movements, for ...
A good book can transport you to another time and place, invite you to see things you hadn’t noticed before, or inspire you to try something new. Young or old, now seems like the perfect time to curl ...
An homage in three acts: Louise Lawler shares a postcard, Christopher Williams remembers Baldessari’s studio, and Stephen Prina sings one of the great Conceptualist’s paintings. Christopher Williams, ...
“It’s like a fellow I once knew in El Paso. One day, he just took all his clothes off and jumped in a mess of cactus. I asked him that same question, ‘Why?’ He said, ‘It seemed to be a good idea at ...
Hear from artists, writers, and therapists about what happens when art and grief collide.
Just as historical time moves without linear progression, the narrative time of Salacia ebbs and flows so that the words with which Jones begins seem to touch her last utterances. Salacia opens with a ...
Our photogrammetry projects have mainly focused on sculptures and other obviously 3D objects. But every painting also has dimension and shape, which is most noticeable in works like The Starry Night ...
In France, the Royal Academy of Painting and Sculpture, founded in 1648 under the aegis of Louis XIV, began organizing an annual exhibition in 1667. Because the recurring location for this event was ...
Since she began self-publishing her photocopied zine, Dirty Plotte, in 1988, Montreal native Joulie Doucet has become one of the most influential and beloved figures in independent comics. Mixing ...
There is no singular question at the core of Mutu’s work. The artist has said, “The idea of clearcut binaries—African/European, archaic/modern, religion/pornography—I’ve never really believed in that.
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