Eddington is, I think, less about political axe grinding, or even point making, and more about what it feels like to have all the noise of the world descend upon you at once. It is essentially a horror-comedy about the whole of the internet arriving in a small town seemingly in a single day.

When Ari Aster made his feature film debut in 2018 with the chilling Sundance horror hit “Hereditary,” it seemed to herald a new king of horror for the “elevated” era. As immaculately made as the miniature houses constructed by Toni Collette in the film,

I've had mixed feelings about Ari Aster's previous movies, but Eddington highlights everything that makes him a great filmmaker.